Click Here for more details The time has come to expose the truth about the chair used in the George Pal version of the Time Machine. A lot of time and effort has gone into uncovering the information on this page. The saga began in I received their ‘catalog’ a box containing 5 printed catalogs. It was amazing, everything from hand props, costumes, weapons, and antiques. I scoured their contents looking for anything from my favorite shows. Then there it was, The Time Machine, Wow! Not that I would be able to buy it, I was only 18 and just out of high school, but just to see it.
Argus (camera company)
He also started a mentorship program in his hometown of Mathare, Kenya, offering young people what he lacked as a child: He grew up in a one-room house with his single mom, three brothers and ten other family members. At only 9 years of age, he was arrested and imprisoned for stealing.
One day I borrowed my father’s Argus C3 camera and took some B&W photos of the machine, another day I shot a few color photos with my instamatic (I’m dating myself here). Below you will find a photo of the 1/6 th scale chair I made that summer for my model.
In the first two decades of the 20th century, the company would release a wide range of folding plate cameras with names such as Scheren-Camera, Alpin, Stereophotoskop, and Avus. Although resembling TLRs from other companies, it was unique in that the film transported horizontally, instead of vertically. The former was a true TLR design in which the entire lens standard would move in unison with the focus knob.
The viewfinder would show a correct representation of the focused image on the viewfinder screen, just like other TLRs of the day such as those made by Franke and Heidecke Rollei and other German companies. The Brillant on the other hand, was a more basic variant of the Superb TLR with slower lenses and a more basic shutter. It was likely marketed toward novice or entry level photographers. The photographer is responsible for choosing correct focus and aperture settings from a limited number of options, just like a box camera.
This simplifies the design and makes for a more reliable and less expensive camera. The TLR format would go on to be a very popular style of camera through the early s with designs by Rollei and Yashica remaining popular for over half a century.
Comprehensive Argus Guide
She considers each of the people who gathered and those who passed away a member of her family and w anted to honor them as such. Y ellow Boy passed away late June. The gathering remind- e d those who attended that they had a support system.
Jul 03, · Best Answer: The Argus C3 is a great antique camera I have a couple of them and they do take very sharp pictures. But it’s not really worth much. You’ll find a million of them on eBay and at antique shops. It’s not rare at all. I would say that if it’s in good working condition (and most of them are, that thing is built like a tank and I’ve never seen one that wasn’t working) then you can Status: Resolved.
It has an impressive array of attachments and lenses, but it couldn’t compete with the continued onslaught of superior foreign cameras especially the single lens reflex models. It featured truly interchangeable lenses, but the bayonet system is reputed to work poorly. This camera weds the lineage of the C series bricks with the lighter elegance of the A series, and replacing the C3 brick as the flagship camera in the Argus line.
The shutter is cocked by winding the film, so you have to wind it before the shutter will fire. When it is cocked a red shutter cover is revealed behind the lens to tell the user the camera is ready, and to help prevent wasted frames. It takes 6cm x 6cm exposures. It was designed for film, but it can be used with film so some people still use these today. Both models also featured distinctive finishes: Argus C33 Circa The Argus C33 was only manufactured from – – it features a few rather bulky improvements to the original C3 model, such as a coupled light meter and interchangeable lenses.
Zeiss Ikon – Ikonta (A) 531
It is a precision made camera which incorporates a rapid film advance feature and extended picture taking capacity. General Features The Tenax II is designed to use standard length 35 mm film but with a capacity of up to 50 exposures, which is achieved by using a 24 X 24 mm format. The camera body is manufactured from die-cast alloy with a satin chrome finish and covered in black grain leather. Metal fittings and trimmings are chromium plated.
The camera body incorporates a removable back, which allows easy access to the film chamber. The top plate carries the shutter release, external frame counter, rewind key, accessory shoe and the viewfinder.
Hilary send a second camera a Kodak Six to Collectible Cameras it belonged to her uncle, Bob Potter. It has enameled art-deco body sides with a self erecting frame dating from Kodak Six 16 UK Model 21/2″ X 41/4″ images. Argus C3 from a charity shop in Lewis. Argus C3 made in Chicago.
A graduate in Ceramic Design from Alfred University, Crapsey began work with Kodak in , after being sent home from the war in Europe with one leg fewer than he had taken with him. Crapsey was responsible for the design of a number of well-known Kodak cameras, among them the Brownie Bulls-Eye, the Brownie Hawkeye Flash, the Signet series and the Automatic Seal Beach Pier and Catalina Island.
You might still be able to get old film stock on E-bay, but it would be long expired, since Kodak last made it in See the matrix at the end of the article for details on the differences between these cameras. All cameras in the Pony line featured bakelite bodies and simple viewfinders. Focus was manual guesswork, unless you carried a tape measure around with you. Marked apertures are f3. Shutter speeds are , , 50, 25 and B.
The lens barrel is also equipped with a cable release fitting as well as a flash post. The camera body is a sturdy, red-brown bakelite with a conventional tripod mount on the bottom. The back comes completely off for ease of loading and unloading the film and is retained securely via a sliding latch on the right-hand side.
When I want to go beyond the usual image editing, I want the more powerful features of Photoshop. These establish the starting values for the following: Then I evaluate the image to see if the chosen preset gives me a good starting point. I usually leave the Exposure and Contrast slides at zero. I am disciplined to use the right meter mode and compensation when needed so I rarely need an Exposure adjustment and I prefer to leave Contrast adjustment for a later Curves adjustment.
This section contains over 70 still cameras from A to Z (Agfa to Zeiss Ikon) using 35mm film but not having single lens reflex viewing and focusing.
He first appeared alongside Donald in Disney ‘s animated feature film Saludos Amigos. He represents every aspect of the typical Brazilian stereotype. He is smart, friendly and always in a good mood. From the end of the Second World War until , American films were not allowed to be exported to Occupied Europe, which included Disney cartoons. He is portrayed as a ladies’ man, enjoys parties, and carries around an umbrella wherever he goes, using it like a cane; he can also use it as a musical instrument, such as a flute, guitar or trombone.
He is extremely benevolent and debonair, tends to make friends fairly easily, and rarely suffers the same comical misfortunes as his classic Disney co-stars at least in animation. Being a fan, he was more than happy to introduce Donald to Rio, and a friendly bond grew rather quickly afterward.
Tamam Shud / Somerton Man
The coincidence and store access circuits remain in place and commissioned: It is substantially complete, undergoing final testing of the corner cases of the multiplication circuits. After a long period of experimentation we have arrived at a solution for driving the nickel delay line stores from the storage recirculation units that would seem to give us reasonable operating characteristics — the main issue has been improving the signal to noise ratio on the output from the delay line back to the regeneration unit to minimise breakthrough from the input side.
We have some suspicion our decision to put an isolated 0V rail on every chassis may well be exacerbating our problems, and of course our EDSAC lives in an electrically noisier environment than its predecessor. On the following day we hosted the surviving EDSAC operators all ladies to show them progress so far and pick their brains on how the machine was operated day to day.
Organisation Supervisor’s Registration. 1. Organisational Information: You can only register as an organisation supervisor if your organisation name is in the registered list and.
Jacksonville, Tx, West Monroe, La. I have one of the larger format Argus that was Dad’s stuck back in a drawer someplace. It’s one of the types with a flip up viewfinder, you hold camera at waist level. My next two are a couple of Spotmatics, one a Honeywell, the other a Pentax plus a fair assortment of screw mount lenses. I was into taking a lot of slides the first couple of years I was married. The new wife and I were in Turkey courtsey of the USAF so there was a lot to see and photograph, then back to the states and a new baby kept me going.
Last year I purchased a high quality scanner and digitalized about slides I had taken, plus another couple of thousand photographs, most taken by my parents and a few going back into the late ‘s from grandparents. From time to time I see some nice looking old cameras in antique shops but generally pass them by. The variety of film both for print and transparencies is not like it was years ago, and processing is not as readily available.
Digital has taken the world by storm, quailty is good and cheap. Nice thing is that my son can take pictures of the new grandson and send them to us in just a few minutes, no waiting.